Chris Girard, Shampoo, 2004
Instant recognition of bright, showy colors propels the viewer into a voyeuristic tour of consumer culture. In Shampoo, a telephoto lens extracts an image of misty, warm-colored shapes. They are seemingly lifted from the personal hygiene aisle of a grocery store. This trio of visually vague, but subconsciously unmistakable, commercial products fades into a pop art fog, transforming the banal into the exotic. The line-up of plastic bottles features gradients of minimalist shapes and contours of mass-produced goods and can be printed beautifully on paper or as high-quality wallpaper for a desktop.
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